14 October 2011
Tree of Life
Tree of Life was quite good. Just the music and sound design make it a  good theatre experience. I do have some reservations. The movie is  rather take it or leave it. Specifically, the photography goes over like  a really pretty stream too much like an Anthropologie catalog. The Texas  section is a big offender in that regard, but what makes the pacing  seem slack may just be the nonlinear nature of the film and my taking it  in on a first viewing. Technically, it's nice, but after awhile it  feels really lazy, narratively. It's heavy on the theology, too. A chunk  of it is like a Christian tone poem. One person on the Criterion   Forum called it a "Complaint-Psalm-meets-Creation-Hymn" and another "an  elaboration of the Requiem Mass." I can't say that's inaccurate, but  your mileage may  vary. The voiceovers during the cosmic sequences bugged me greatly. It  seemed too on-the-nose during those moments. Voiceovers during the Texas  sequences worked fine, though. Those scenes were the trademark Malick  moments and the human element there burnished the scenes with some  voiceover. Brad Pitt is great as the dad, but Jessica Chastain  gets treated like a saint. I would have loved more character  development for her. She's pretty and communicates well with her face so  not doing more with her talent felt like a missed opportunity. I  mention her beauty because it kinda made her sink into that background  like a model. Her bond with the kids in the film felt like a core  element of the film and it worked very well as a contrast to Pitt, but  as I searched about to connect more with the characters I'd hoped that  she'd get to be another anchor as well. Anyway, that's what I thought.  This one will have to grow with me when it hits DVD. Those were my big  complaints, though. I may see it again in the theatre. I'm a classical  music lover so the music really meant a lot to me. Philosophically and  photographically, I'm not sure how you'll react. The Christianity in the  film may seem rather risible, but it melts away when the cosmos is  rolling along or the music is playing gorgeously. Malick throws in some  great Tarkovsky moments that also meant a lot to me. Again, this is  great to see in the theatre, especially one with a good sound system. I  love The Thin Red Line and Days of Heaven, but this one lacks a certain  spark that those two have. At least this one has dinosaurs and Gorecki,  though.
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